The Trans•Parency Podcast Show

From Taco Bell Drive-Thru to the Melodies

March 08, 2024 Shane Ivan Nash, Blossom C. Brown, Boy Bowser
The Trans•Parency Podcast Show
From Taco Bell Drive-Thru to the Melodies
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Show Notes Transcript

Who could have guessed that a late-night craving for tacos would lead to lyrical genius?
 
We invite you to get cozy and tune in as our guest, Boy Bowser, a brilliantly unconventional artist, recounts the whimsical moment a Taco Bell drive-thru attendant unwittingly provided the spark for what would become a chart-topping chorus. It's a testament to the unpredictable nature of creativity, where inspiration can strike in the most ordinary circumstances, transforming a mundane activity into a muse for musical magic. 

Amid the echoes of laughter and playful exchanges,  also Shane Ivan Nash and Blossom C.  Brown touch upon the tender story of how Boy Bowser romance unfolded in the crossfires of professionalism on a music video set. 


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Speaker 1:

I mean you even like what was the one line where it's like I'll bottom for you?

Speaker 2:

I was like oh yeah, that's the chorus baby. That it's a yes. Ma'am, Tell me what to do. No, I'm not a bottom, but I'll switch it up for you.

Speaker 1:

Yeah, you know that to me is probably the most masked. The Simblossom loves T for T love. So exactly I told you you already got a theme song I am make sure to download on Spotify.

Speaker 2:

That was a song for girls.

Speaker 1:

I'm gonna download.

Speaker 2:

I'm loving every minute of it that song actually has a really funny story behind it. I came up with the chorus for the song in a Taco Bell drive-thru no way, because I was driving with some of my old roommates Like we were going through the Taco Bell driveway that was like nearby our old apartment and they were both drunk. We had just come back from.

Speaker 1:

You're thinking of bottoming in Taco Bell? Hold on, that is a combination. I'm sorry, I just Let me guess about. That's a messy combination to go on. I wasn't. I wasn't getting the Taco Bell. The Taco Bell was not for me, it was for the drunk people in the car. I was a designated driver.

Speaker 2:

I'm just terrifying for folks.

Speaker 1:

But I had. All the bottoms are like Taco Bell at the same time. Never go on to the bottom. Yeah.

Speaker 2:

And I forget exactly. But I pulled up to like the drive-through window. We were all like kind of being a little rowdy in the car and like I pulled up to the drive-through window with my roommates and like I ordered for them and everything, and the lady in the drive-through was like will that be all for your order? And like I don't. I think it was just because I was tired. I didn't think about the way that I said it, but the reaction of everyone afterwards was like what made me come up with the idea for the song? Because I said, yes, ma'am, I did. I think it's because I was tired. So I guess I said it in a way that was like yes, ma'am, and like there was like a like a beat of silence from everybody, including the person in the drive-through, and then they were like you could, you could pull forward.

Speaker 2:

And I was like OK, and I was, and I was kind of confused. And then my roommates were like why did you say it like that? And I was like what do you mean? I'm tired, I'm just trying to fucking order a Taco Bell. And they were like no, you were like yes, ma'am, and like you, you said it like a different way From there. I was kind of like maybe I should turn that into a song, yeah.

Speaker 1:

Are you in partnership with anyone?

Speaker 2:

I am Fun fact about that, the person I'm dating now, my partner. They were actually in my music video and we started talking ETS behind the scenes. Oh my gosh, I love it. The thing is on on set. I Well, we have to say that as a partner.

Speaker 1:

Hello, we're excited to hear that.

Speaker 2:

We're excited to hear that. Well, on set, I because I I've it's really important for me to be professional, like I always try to strive to be professional in those spaces I don't want, and just because it was like a sex filled music video, I was like I don't want to overstep or like step over any boundaries, so that wasn't even on my radar. But like we kept having little interactions where I would go over to one of my friends and I'd be like is she flirting with me? I don't know, I don't know if it's playful or if it's just you or if it's like actual flirting. And they were like you're being stupid. She's flirting with you, ok, you walked up and said yes, ma'am.

Speaker 2:

Oh, I'm not. I'm not that smooth.

Speaker 1:

I heard you the Rizzler. Actually, that's the next number I'm here for all of it.

Speaker 2:

I can be smooth sometimes, you know, and I'm not as smooth in person as I am in my music, and that's because when I'm writing my music and trying to be sexy, I can be in my own little studio space and I can have, I can figure out how to be sexy for like a couple of hours, like I have. I have the privacy to be sexy in my own space and not trip over my words, and I can redo all my takes. So I get it like it, love it. All of those, all of those fun little ad libs of me being like ah yes, ma'am, on my track, took took several tries.

Speaker 1:

Well, just so you know, whenever I listen to it I still I am like yes, ma'am, thank you, thank you. And I even catch myself saying that I would bottom, even though I'm not necessarily a bottom, but it even inspired me to consider it, definitely through the song. Thank you, my wife loves.

Speaker 2:

Oh, that's a shame. Why, if we love them?